Entries Tagged as 'Music Reviews'

Interview With Chick Corea

Chick Corea talks about Miles, the media and what drives him to explore different types of music.

July 5th, 2010 · No Comments

Pianist,composer and bandleader Chick Corea is one of the jazz genre’s most unique and diverse artists. One of his earliest recordings, Now He Sings, Now He Sobs, is a landmark piano trio recording. His stint with Miles Davis, who encouraged him to explore the electric piano, changed the sound of jazz…

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Tags: Interviews · Music Reviews

David Murray On the Island

The saxophonist's Gwo Ka Masters project mixes Afro-Caribbean sounds, Ishmael Reed lyrics and Taj Mahal vocals.

June 26th, 2010 · No Comments

In his liner notes to Miles Davis’ post-Bitches Brew recording At Fillmore: Live At the Fillmore East, Morgan Ames quotes J.J. Johnson on Miles’ new direction. “If you put Miles and his new group in the studio and recorded them on spearate mikes, and then you cut the band track and…

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Enlightened Electric

Guitarist John McLaughlin's To the One redefines spirituality

June 16th, 2010 · No Comments

Spirituality has long haunted the music of guitarist John McLaughlin.  But its a different kind of spirituality than commonly accepted.  Serenity is replaced by driven purpose sometime almost furious in its speed and direction. The organic is overcome by the electric. The enlightened sense of  “taking it as it comes” …

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Jarrett Unleashed

Testament affirms the pianist's ability to connect with beyond.

April 25th, 2010 · 1 Comment

The Rabbit has long complained that Keith Jarrett’s standards trio, fine as it is, limited the pianist. Maybe that ‘s because the Rabbit was one of those “hippies,” as one reviewer described his audience, who found salvation in Jarrett’s early solo work, beginning in 1971 with Facing You and continuing through…

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Threadgill Marches On

The wiggling spermatozoa of Zooid.

March 18th, 2010 · No Comments

Eight years past Up Past Two Lips, composer-saxophonist Henry Threadgill continues to pare down his carnival of sound into something that’s more than a sideshow but less the three-rings his Very Very Circus bands once performed. Composition, as always in Threadgill’s music, is important and one can’t help but think…

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Learning To Love Jan Garbarek

The Norwegian saxophonist plays true fusion.

February 11th, 2010 · 1 Comment

We’ve long had a love-hate relationship with saxophonist Jan Garbarek, loving many of his releases while finding his tone irritating to the point of distraction. After championing some of his early work (Afric Pepperbird, Witchi-Tai-To, the career-defining, one-of-a-kind Dis) we suffered mixed feelings towards what followed, even when it included great musicians…

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Radiolarians: Third Time’s Charm

Is III best?

January 11th, 2010 · No Comments

The implication of three, staggered releases in Medeski, Martin and Wood’s title-and-concept-sharing Radiolarians series is that the second will be an improvement on the first and that the third will be best of all. Of course, this assumption is false; no such claim is made or warranted. And the Radiolarians process–developing material…

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When Jazz Went Bad

A new collection recalls the satisfying aspects of the music's early-'70s struggle for identity

January 3rd, 2010 · No Comments

The same old thing wasn’t going to cut it in the early 1970s. And just about anything recorded before Miles Davis’ Bitches Brew, in other words before 1969, was the same old thing. That wasn’t going to grab the ears of the hip new audience Miles had attracted with his…

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Hassell Free

Impressionistic musical moods from a master of electronic, ethnic fusion

December 16th, 2009 · No Comments

The Rabbit was slow to come to Jon Hassell‘s Last Night the Moon Came Dropping Its Clothes in the Street. The music certainly caught the attention of our floppy ears on first preview. But it was months past the February (’09) release date when we finally gave it serious airing–I’m…

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Guitar Portraits

Mike Disfarmer's historic photographs inspire Bill Frisell to do what he does best.

December 13th, 2009 · No Comments

Disfarmer is Bill Frisell’s Pictures At An Exhibition, a series of 26 short, impressionistic pieces inspired by the photos of Mike Disfarmer (1884-1959), an Arkansas photographer who captured both place and time in his starkly-lit portraits.  Disfarmer’s revealing black-and-white portraits of country and small-town folk, posed without background, are perfectly reflected…

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