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	<title>Cabbage Rabbit Review of Books &#38; Music</title>
	<link>http://cabbagerabbit.com</link>
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		<title>Myra&#8217;s Way</title>
		<description><![CDATA[<p>Pianist Myra Melford takes on more projects than the Army Corps of Engineers. Most of them are unusual, ambitious undertakings that involve a variety of cultural inspirations, a mix of artistic disciplines and media; innovative instrumentation, and distinguished instrumentalists.</p>
<p>There’s her five, sometimes six-piece ensemble Be Bread in which she plays&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2012/04/06/myras-way/</link>
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		<title>Musical Networking</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2012/04/06/symbolic-plug-in/" title="Musical Networking"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/taylorhobynum.4872nqbqpy4gg80okwgcc0og0.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Musical Networking" style="float:left;padding:0 10px 10px 0;" ></a><p>Are artists creating symbols and new representations of our technologically-enhanced culture? Certainly they’re employing technology to make art, in the form of computer generated images, synthesized audio and enhanced videos. But where are the symbols, even if made using traditional methods, for the way contemporary society shares, relates and communicates?&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2012/04/06/symbolic-plug-in/</link>
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		<title>The Messenger</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2012/04/06/the-messenger/" title="The Messenger"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/lastholiday1.10vzchrt0buo0cookgo880osc.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="The Messenger" style="float:left;padding:0 10px 10px 0;" ></a><p>When Gil Scott-Heron died last May at the age of 62 nearly all the obituaries saluted him as “the Godfather of Rap.” It was a title he modestly denied when I interviewed him in 1995, shortly after his recording <em>Spirits</em> had come out. Poet, novelist, R&#38;B musician and social activist, Scott-Heron&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2012/04/06/the-messenger/</link>
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		<title>The Essay In Essayist</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2012/01/30/essayist-as-essay/" title="The Essay In Essayist"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/letham_ecstacy.c9wbhrb1v484844wg0w8ocgso.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="The Essay In Essayist" style="float:left;padding:0 10px 10px 0;" ></a><p>Jonathan Lethem’s last novel, <em>Chronic</em><em> City</em>, is about an aging, self-conscious child star and pop culture icon, Chase Insteadman, who befriends a faded pop culture critic, Perkus Tooth. Tooth once wrote for <em>Rolling Stone </em>but now issues his judgments on paste-up broadside collages that range across genres and generations. He smokes&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2012/01/30/essayist-as-essay/</link>
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		<title>Suite Seasons</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2012/01/30/suite-seasons/" title="Suite Seasons"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/wilsonseasons.amr22pee1ggk0w0cw8swcc888.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Suite Seasons" style="float:left;padding:0 10px 10px 0;" ></a><p><a href="http://anthonywilson.bandcamp.com/" target="_blank"><strong><em>Seasons</em>,</strong></a> recorded live at New York’s Metropolitan Museum of Art,<em> </em>is a collaboration between a rising guitarist-composer, three of his guitar-virtuoso colleagues and a master guitar maker. The guitar maker, John Monteleone, commissioned this work for a quartet of acoustic instruments he built, each designed with a particular season in mind. Likewise,&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2012/01/30/suite-seasons/</link>
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		<title>Playlist, 12/11</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2011/12/12/playlist-1211/" title="Playlist, 12/11"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/murray_cole.3iewgztigfmsggoc04ccgoksc.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Playlist, 12/11" style="float:left;padding:0 10px 10px 0;" ></a><p><strong><em>DAVID MURRAY CUBAN ENSEMBLE PLAYS NAT KING COLE EN ESPANOl;   </em></strong>Motema. Nothing like the original except the tunes. Murray, always adept at finding new ways to frame his music, works with a nine-piece ensemble and strings to do what he does best: cry, caterwaul, lose control (never; it only&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2011/12/12/playlist-1211/</link>
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		<title>Michigan Murder Mystery</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2011/12/12/michigan-murder-mystery/" title="Michigan Murder Mystery"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/harrison_great_leader.5i18byoa27sw4ockoo8occsco.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Michigan Murder Mystery" style="float:left;padding:0 10px 10px 0;" ></a><p>Writer Jim Harrison is to letters what Woody Allen is to film. If that seems a stretch, consider: both are prolific, releasing a new work (or more) yearly. Both were born during the Depression, two years apart, both in December. Both mix drama and comedy into something that’s entertaining as&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2011/12/12/michigan-murder-mystery/</link>
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		<title>Joe Henry, Stripped</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2011/12/12/joe-henry-stripped/" title="Joe Henry, Stripped"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/joe_henry_reverie1.oif9glarvv484gkgg0goo4ok.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Joe Henry, Stripped" style="float:left;padding:0 10px 10px 0;" ></a><p>Joe Henry is best known in service to others, a writer of songs for stars (Madonna “Don’t Tell Me To Stop”) and producer to everyone from Meshell Ndegéocello and Ani DiFranco to Elvis Costello and Mose Allison. His own recordings tend to be noisy affairs with confessional, expressionistic poetry set&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2011/12/12/joe-henry-stripped/</link>
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		<title>Jarrett Miniatures</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2011/12/06/jarrett-minatures/" title="Jarrett Miniatures"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/jarrett_rio.68khz1lrf1ook48ow80w008kc.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Jarrett Miniatures" style="float:left;padding:0 10px 10px 0;" ></a><p>Pianist Keith Jarrett’s quarter-century of trio recordings with bassist Gary Peacock and drummer Jack DeJohnette sustains his reputation as one of music’s most inventive improvisers. But it’s his infrequent solo work, beginning with his 1971 release <em>Facing You</em>, that best displays his improvisational genius. <em>Rio</em>, recorded live in the Brazilian&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2011/12/06/jarrett-minatures/</link>
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		<title>Playlist: 11/27</title>
		<description><![CDATA[<a href="http://cabbagerabbit.com/2011/11/28/playlist-1127/" title="Playlist: 11/27"><img src="http://cabbagerabbit.com/core/wp-content/uploads/yapb_cache/motian_garden.6vxt5sdy7vs4osg8kckwk0g44.aurty5wvbr40ccw04skc8og0s.th.jpeg" width="180" height="180" alt="Playlist: 11/27" style="float:left;padding:0 10px 10px 0;" ></a><p><em><strong>REINCARNATION OF A LOVE BIRD,</strong></em><strong> Paul Motian and the Electric Bebop Band </strong>; JMT, recorded June 1994. Motian had a way of layering his sound against the ring of electric guitars and for a while in the &#8217;90s had bands that doubled up on them and saxophones (see <em>Garden of Eden</em>,&#8230;</p>]]></description>
		<link>http://cabbagerabbit.com/2011/11/28/playlist-1127/</link>
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