David Murray On the Island

The saxophonist's Gwo Ka Masters project mixes Afro-Caribbean sounds, Ishmael Reed lyrics and Taj Mahal vocals.

June 26th, 2010 · No Comments

In his liner notes to Miles Davis’ post-Bitches Brew recording At Fillmore: Live At the Fillmore East, Morgan Ames quotes J.J. Johnson on Miles’ new direction. “If you put Miles and his new group in the studio and recorded them on spearate mikes, and then you cut the band track and…

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When Jazz Went Bad

A new collection recalls the satisfying aspects of the music's early-'70s struggle for identity

January 3rd, 2010 · No Comments

The same old thing wasn’t going to cut it in the early 1970s. And just about anything recorded before Miles Davis’ Bitches Brew, in other words before 1969, was the same old thing. That wasn’t going to grab the ears of the hip new audience Miles had attracted with his…

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Dale Does Pepper

…and does it bari well.

May 25th, 2008 · No Comments

You know the rap on baritone sax. It’s “cumbersome,” unwieldy” and requires a typhoon’s worth of wind just to air mezzo piano. These are mainly excuses granted to mediocre baritone players of which there are a very few; guys just don’t want to be heard playing an instrument that controls…

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