Walter Mosely’s meditation on his first memories in The New York Times is a detailed account of awakening consciousness. Mosely, at the age of three — the year most likely is 1955  –  opens his eyes in front of the television in his parents’ home. He is suddenly flooded with images and…

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Take aways from the publicity surrounding the “reboot” of DC’s line of comics:

– Starting over as issue #1 means not being bound by previous story line.  So maybe Lois and Clark aren’t married. Now what? “Part of the nature of culture is that we retell stories that are meaningful to…

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The best thing about The Best American Series’ The Best American Comics is that it reminds us of comics we enjoyed a couple years ago. Anyone who stays half-way current  with alternative comics and graphic novels will have seen a good portion of what’s in each edition of this four-year…

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It’s not too late to appreciate Chris Ware’s cover and story in The New Yorker‘s November 2  “Cartoon Issue.” Young trick-or-treaters stand at doorways, their faces hidden behind white masks, while their parents wait back on the sidewalk, their faces masked in illumination from their personal communication devices. What a great…

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You’ve heard it said, even sung: Every picture tells a story. No where is that statement more true than in comics. And no comic illustrator tells deeper, more meaningful, more entertaining, more eye-pleasing stories than Chris Ware. Ware’s comics are so innovative, so artistic, clever and literate that they bridge…

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It’s the commonly used coffee house criteria to define enjoyable fiction: “I identified with the characters.” If we recognize ourselves or others we know in a story, we’re more susceptible to being drawn in. But the characters in The Book Of Other People, an anthology of character sketches/short stories, aren’t…

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