Paul Motian: Time To Keep

Passing of a quiet revolutionary.

November 23rd, 2011 · No Comments

I first saw Paul Motian in the early ’70s with the Keith Jarrett Quartet. The group came to our modest Midwestern university one cold Saturday night and set up on risers in the student union ballroom. Except for Motian, none of the group, which included bassist Charlie Haden and saxophonist…

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Playlist 11/6

The Week In Rapid Rotation

November 8th, 2011 · No Comments

***I hope our countless fans around the globe will forgive the delay of this Playlist…a winter storm took out our internet and the company formerly known as Qwest took four days to repair it. Hope this isn’t the norm in Santa Fe.

SOULTRANE, John Coltrane; Prestige, recorded February, 1958.  I was…

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Playlist 9/25

The Week In Rapid Rotation

September 26th, 2011 · No Comments

Joseph Haydn: Die sieben lezten Worte unseres Erlosers am Kreuze (The Seven Last Words of Our Savior On the Cross); Broodin Quartet, Teldec, recorded October, 1993 . The lush, lovely side of the Passion Play, the Largo second movement is to die for. Grave, but somehow transcendent. No, not first-thing-in-the-morning…

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John McLaughlin Interview

The transcendent guitarist talks influence, Miles Davis and why he doesn't fret the past.

November 27th, 2010 · 1 Comment

John McLaughlin was a 27-year-old, relatively unknown guitarist in 1969 when he arrived in the U.S. from England to join drummer Tony Williams’ Lifetime band with organist Larry Young. His background was broad and without category.  He had been brought up by a concert violinist mother to love classical music,…

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Tags: Interviews · Music Reviews

Interview With Chick Corea

Chick Corea talks about Miles, the media and what drives him to explore different types of music.

July 5th, 2010 · No Comments

Pianist,composer and bandleader Chick Corea is one of the jazz genre’s most unique and diverse artists. One of his earliest recordings, Now He Sings, Now He Sobs, is a landmark piano trio recording. His stint with Miles Davis, who encouraged him to explore the electric piano, changed the sound of jazz…

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David Murray On the Island

The saxophonist's Gwo Ka Masters project mixes Afro-Caribbean sounds, Ishmael Reed lyrics and Taj Mahal vocals.

June 26th, 2010 · No Comments

In his liner notes to Miles Davis’ post-Bitches Brew recording At Fillmore: Live At the Fillmore East, Morgan Ames quotes J.J. Johnson on Miles’ new direction. “If you put Miles and his new group in the studio and recorded them on spearate mikes, and then you cut the band track and…

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Enlightened Electric

Guitarist John McLaughlin's To the One redefines spirituality

June 16th, 2010 · No Comments

Spirituality has long haunted the music of guitarist John McLaughlin.  But its a different kind of spirituality than commonly accepted.  Serenity is replaced by driven purpose sometime almost furious in its speed and direction. The organic is overcome by the electric. The enlightened sense of  “taking it as it comes” …

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When Jazz Went Bad

A new collection recalls the satisfying aspects of the music's early-'70s struggle for identity

January 3rd, 2010 · No Comments

The same old thing wasn’t going to cut it in the early 1970s. And just about anything recorded before Miles Davis’ Bitches Brew, in other words before 1969, was the same old thing. That wasn’t going to grab the ears of the hip new audience Miles had attracted with his…

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Had To Have It

Books and music that got the Rabbit through '09

December 31st, 2009 · No Comments

It’s New Years Eve on a closing decade and we’re feeling a certain obligation, though not because of any clamoring demand to, to….. We’ve never liked top-ten lists,- year-end lists, best-of-the-decade lists, that sort of thing. And for all the usual reasons. Now, as the old song goes, everybody’s doin’ it. …

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Hassell Free

Impressionistic musical moods from a master of electronic, ethnic fusion

December 16th, 2009 · No Comments

The Rabbit was slow to come to Jon Hassell‘s Last Night the Moon Came Dropping Its Clothes in the Street. The music certainly caught the attention of our floppy ears on first preview. But it was months past the February (’09) release date when we finally gave it serious airing–I’m…

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