Helen Weaver's Beat memoir brings Greenwich Village of the 1950s to life.
“I am the man who has best charted his inmost self.” Antonin Artaud quoted by Helen Weaver
Helen Weaver’s account of her early days in Greenwich Village is misleadingly titled. Weaver, a new age author and translator nominated for a National Book Award in 1977 for her reading of Antonin Artaud,…
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Tags: Book Reviews
Douglas Coupland's Generation A is no Generation X
Rereading Douglas Coupland’s Generation X: Tales For An Accelerated Culture reminded this baby boomer how important and, in its way, groundbreaking the book was when published in 1991. Not that it received much attention, despite its title, at release. No major reviews in The New York Times, The Washington Post, The…
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Tags: The Rabbit Rants
Daniel Johnston's comic art gets inside his--and your--skull.
In Daniel Johnston’s art, it’s all about the head. Big heads, hollowed-out heads, tiny heads, duck and cat and mouse heads, severed heads, devil heads, heads with one eye and heads with many eyes waving on tentacles. No matter how many characters and twisted setting pieces fill one of his…
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Tags: Comics
Identity struggle makes J.D. Salinger's Catcher In the Rye timeless .
January 31st, 2010 · 1 Comment
UPDATED (at end): Since the death of J.D. Salinger, there’s been scads of comment declaring his books as life-changers (or not) and plenty of speculation on what waits in his safe to be published or what might be made into a movie and even some of that personal, David Copperfield kind…
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Tags: The Rabbit Rants
A new collection recalls the satisfying aspects of the music's early-'70s struggle for identity
The same old thing wasn’t going to cut it in the early 1970s. And just about anything recorded before Miles Davis’ Bitches Brew, in other words before 1969, was the same old thing. That wasn’t going to grab the ears of the hip new audience Miles had attracted with his…
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Tags: Music Reviews
The founder of Mad created an American school of social satire.
There’s much to quibble over in Abram’s big, beautiful The Art of Harvey Kurtzman (the “man” in Kurtzman isn’t spelled out but drawn as simplistic balloon-stick figure). Why include the complete “Superduperman” from Mad no. 4 (1953) instead of samples from “Dragged Net!,” the parody of television’s cigarette-selling, L.A Cop promoting…
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Tags: Comics · The Rabbit Rants
Books and music that got the Rabbit through '09
It’s New Years Eve on a closing decade and we’re feeling a certain obligation, though not because of any clamoring demand to, to….. We’ve never liked top-ten lists,- year-end lists, best-of-the-decade lists, that sort of thing. And for all the usual reasons. Now, as the old song goes, everybody’s doin’ it. …
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Tags: The Rabbit Rants
Nick Hornby says we love music more than each other.
Like much of Nick Hornby’s work, Juliet, Naked is not a book about love in the traditional sense. It’s a book for those of us who are obsessively in love with music, so much in love that it defines us when so little else does. We identify with someone’s art, and…
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Tags: Book Reviews
What year is it again?
The best thing about The Best American Series’ The Best American Comics is that it reminds us of comics we enjoyed a couple years ago. Anyone who stays half-way current with alternative comics and graphic novels will have seen a good portion of what’s in each edition of this four-year…
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Tags: Comics · The Rabbit Rants
Classics meet comics...or is it the other way around?
There’s a comic quality and grounds for parody in even the most classic literature. In Masterpiece Comics, R. Sikoryak proves himself adept at discovering and exploiting these cartoonish characteristics. But while the laughs in his collection are literate, what he parodies are the comics, everything from Peanuts to Superman.
Masterpiece Comics would be a one-joke…
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