There’s much to quibble over in Abram’s big, beautiful The Art of Harvey Kurtzman (the “man” in Kurtzman isn’t spelled out but drawn as  simplistic balloon-stick figure). Why include the complete “Superduperman” from Mad no. 4 (1953) instead of  samples from “Dragged Net!,” the parody of television’s cigarette-selling, L.A Cop promoting…

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In the beginning, Robert Crumb’s work was all parody and cartoonish variation. Over the decades, he has breathed form into his illustration, bringing detail and something, at times, approaching realism while maintaining his characteristic style prickly-male legs and ponderous female thighs. The Book of Genesis Illustrated is his longest, most ambitious creation…

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The best thing about The Best American Series’ The Best American Comics is that it reminds us of comics we enjoyed a couple years ago. Anyone who stays half-way current  with alternative comics and graphic novels will have seen a good portion of what’s in each edition of this four-year…

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We’re preparing for first publication elsewhere (newsprint lives!) a review of the Harvey Pekar-Paul Buhle collaboration The Beats: A Graphic History (Hill and Wang, hardback, $22) . Our love for all things Beat made its arrival an event, especially after Pekar’s honest and enlightening history of the SDS . (Frankly, we found the…

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Listening through the two-CDs in Bill Frisell’s History, Mystery is much like going through the dozen panels of cartoon artist R Crumb’s “A Short History of America.” In a dozen wordless panels, Crumb takes us through an untouched pastoral setting which gives give way to a single rail line, then a…

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Before slasher films, rap music and internet porn, even before rock ‘n’ roll, self-righteous America found cause for juvenile delinquency in comic books. Columbia journalism professor and former Entertainment Weekly editor David Hajdu unearths the largely forgotten 1950s campaign against illustrated pulp and discovers larger issues of censorship and Puritanical scape-goating…

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You’ve heard it said, even sung: Every picture tells a story. No where is that statement more true than in comics. And no comic illustrator tells deeper, more meaningful, more entertaining, more eye-pleasing stories than Chris Ware. Ware’s comics are so innovative, so artistic, clever and literate that they bridge…

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